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Item specifics

New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is ...
Main Purpose:
Day Cream
Body Area:
does not apply

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We’re a small and creative team of passionate musicians, sound engineers and audio enthusiasts with a true love for the soul of pristine and clear analog audio paths.

As truly experienced experts, we’ve decided to build our own analog mastering- and studio processors with the focus on music gear with warmth sound, creative usability, handcrafted build quality in an outstanding design. The components we’re using in our products are also hand-selected and regularly build by ourselves.

We are happy that we can provide all our fine analog mastering and Studio gear to you. You will see and of course, hear the difference. We build high-quality analog mastering and studio compressors, transient shapers, analog mastering equalizers, saturators, fine preamps with sound-shaping possibilities and much more.

we love to invite you to be a part of our elysian journey.

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“On our trailer sound design I’m loving the xfilter 500 for it’s ability to give me “zing” and “beef” and “in your face”.
And then the xpressor 500 gives me PUNCH and depth.”

“I’m currently using the xfilter on my Band Mix, the xpressor 500 on my Final Mix, and the nvelope on my Kick and Snare groups respectively! It’s amazing how much color and punch the xfilter adds to the Band Mix with just a few dB of EQ in each band, and how the xpressor’s GRL helps me keep my Final Mix in check dynamically without actually “limiting” the mix aggressively. Both of these units are absolute Swiss army knives with a ton of options available to really tailor the sound I’m going for. And then of course, using the nvelope on my Kick and Snare absolutely brings them to life and puts them right in your face with its tone shaping abilities.”

“The museq opens up my mixes in a very musical and dimensional way. Every time.”

“I have been working with my elysia alpha compressor for many years now and I must admit that it became a creative lifesaver in my studio. For me, this is a wonderful device in terms of pristine and clear sound, usability,
design and build quality. I use it daily in my many mastering sessions”

“The Canon EF 28-135mm f/3.5-5.6 IS Ultrasonic Zoom Lens w/Front & Re is the primary where any compression is used. It’s easily the most powerful and well built dynamics tool ever made. The variable blending of dry/compressed at a stable level makes both loud mastering and maintaining mix integrity easier.”

“With the huge collection I own and use everyday, it’s hard to be impressed by a new compressor. The mpressor redefines the meaning of compression. It looks at it from a different angle and basically throws the whole traditional concept on its head.”

“The xfilter sounds sweet (with a Class-A quality), transparent (with no artifacts) and quite versatile for an ‘only 4 band’ equalizer. Crosstalk channel to channel measures EXCELLENT. I’m sure that degree of stereo separation across the
audible spectrum enhances its performance. …Well done I’m very happy”

“Wow, what a great unit. We used the karacter straight away on a mix last night, and it sounded fantastic. Thanks!”

“What a fantastic piece of equipment the xfilter is.
I absolutely love it!”

“Literally every single time I mix a record the mpressor is in use. I was just blown away immediately by the sonics, by the flexibility, and by how extreme you could get with it. The mpressor is just light-years ahead of any other compressor that I own. There is cool vintage stuff that I use, and then the mpressor is like it‘s from the future.”

“The mpressor is a fantastic box for anyone interested in creative compression…
It especially shines with the synthetic and electronic sounds of today. I love it!”

“When I first listened to the museq I was very impressed by it and i’m still. It sounds very open and big with a very solid and punchy low end. It can add so much life and impact while still sounding natural and very musical. Pairing the museq with the alpha compressor makes an unbeatable combo. I can shape sound better and faster than before, they both have become a very essential part of my sound and workflow.”

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